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Post-Minimalism
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Coined by the art historian and critic Robert Pincus-Witten, Post-Minimalism refers to a general reaction by artists in America beginning in the late 1960s against Minimalism and its insistence on closed, geometric forms.
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Bruce Nauman,
None Sing Neon Sign,
1970
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Walter De Maria,
Star,
1972
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Gordon Matta-Clark,
Reality Properties: Fake Estates, Little Alley Block 2497, Lot 42,
1974 (posthumous assembly, 1992)
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James Turrell,
Lunette,
Varese, 1974
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Gordon Matta-Clark,
Conical Intersect,
1975
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Gordon Matta-Clark,
Office Baroque,
1977
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