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Post-Minimalism
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Coined by the art historian and critic Robert Pincus-Witten, Post-Minimalism refers to a general reaction by artists in America beginning in the late 1960s against Minimalism and its insistence on closed, geometric forms.
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Richard Serra,
Right Angle Prop,
1969
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Richard Serra,
Strike: To Roberta and Rudy,
1969- 1971
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Robert Smithson,
Hotel Palenque,
1969-1972
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Robert Smithson,
Yucatan Mirror Displacements (1–9),
1969
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Robert Morris,
Untitled (Pink Felt),
1970
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Bruce Nauman,
Green Light Corridor,
1970
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