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Performance
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Performance has its roots in the staging of deliberately provocative public events by Futurist and Dada artists in the early 20th century. These actions are often regarded as the origins of the Happenings and Fluxus events of the 1950s,
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Vito Acconci,
Grasp,
1969
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Vito Acconci,
Conversions II: Insistence, Adaptation, Groundwork, Display,
1971
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Marina Abramovic,
Rhythm 5,
1974, published 1994
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Marina Abramovic,
Cleaning the Mirror #1,
1995
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Matthew Barney,
CREMASTER I,
1995
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Matthew Barney,
CREMASTER 5,
1997
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click on images for details
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