Neo-Conceptualism By the end of the 1970s, Modernism’s utopian principles of innovation, artistic authenticity, and individual expression had become increasingly suspect in a critical culture attuned to late capitalism’s production of desire. [More] Shortcut Full search								Cindy Sherman, Untitled Film Still, #15, 1978 Barbara Kruger, Untitled (Not Perfect), 1980 Cindy Sherman, Untitled, #112, 1982 Cindy Sherman, Untitled, #167, 1986 Haim Steinbach, ultra red #2, 1986 Peter Halley, Two Cells with Conduit, 1987 click on images for details < previous 1 2 next >